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“Cinema does not just present images, it surrounds them with a world” –Gilles Deleuze

 

‘On the Road to Time’  confronts the language of cinema with obscure observational approaches; the work invites physical interaction with the dynamic of space.

 

The artist translates a human relationship to place and moments in time inside ephemeral mixed media installations. Digitally manipulated imagery and physical spaces converge to challenge how we encounter the events of the everyday and social phenomena.

 

Foster’s abstracted films detail an essence of brief events; slowed down, the footage extends the experience of lived time, offering duration for thought.

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